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Stleq/ ぬゆり 2022/12/21に発売となった、コナステの「beatmaniaIIDX INFINITAS SOUND VOLTEX楽曲パック1」を通してbeatmaniaIIDXへ移植 その際ジャンル名は「ARTCORE」と付けられた Lv CHAIN 譜面属性 BPM TIME Version Genre Illustrator Effect NOVICE 06 0647 200 III44 FLOOR 帝国海軍ぼくらしかしらない特務楽士隊♠tam レッドホットスクリューズ♠TEK-A-RHYTHM ADVANCED 11 1302 EXHAUST 17 2026 Lv変更[EXH] 15→17(2016/12/21) CHAIN数変更[ADV] 1169→1302(2021/02/17) + 難易度投票 NOVICE 選択肢 投票数 投票 詐称 0 強 0 中 0 弱 0 逆詐称 0 ADVANCED 選択肢 投票数 投票 詐称 0 強 3 中 1 弱 0 逆詐称 0 EXHAUST 選択肢 投票数 投票 詐称 2 強 4 中 6 弱 0 逆詐称 0 動画 [部分編集] 攻略・解説 譜面・楽曲の攻略についてはこちらへどうぞ 見辛さ解消の為に改行や文頭の編集、不適切なコメントを削除することがあります 名前 コメント ※文頭に[ bgcolor(#aaf){NOV}]、[ bgcolor(#ffa){ADV}]、[ bgcolor(#faa){EXH}]をコピー ペーストすると見やすくなります コメント 楽曲やイラストなどのコメントについてはこちらへどうぞ 曲名が間違ってますよ 正しくはStle”q”です 私は編集技術がないのでどなたかお願いします -- (名無しさん) 2016-01-17 15 45 53 ＾修正しました。 -- (Quietus416) 2016-04-18 15 09 29 名前 コメント すべてのコメントを見る
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ストーリーの翻訳＞27.THE LAST MAN ■Part 66 http //www.youtube.com/watch?v=6WeVDyzAj0U feature=related ■Part 67 http //www.youtube.com/watch?v=FEdGJBB4XIo feature=related ■Part 68 http //www.youtube.com/watch?v=YY7vw6rS920 feature=related ■Part 69 http //www.youtube.com/watch?v=Y8aSE_uLrCE feature=related ■Part 70 http //www.youtube.com/watch?v=g8qQ5cS5q8c feature=related part69からミッションスタートのようなのでpart66～68の字幕抽出はしておりません。 このPROTOTYPEプレイ動画シリーズには字幕が出ているので、 時間がある人は少しでもいいので英文を載せていってください。 書式が分からない場合はベタ書きで構いません。 （特に重要でなければムービー部分だけで構いません） Contact Location 3-SoHo ミッション中 ミッションクリア 27.THE LAST MAN [最後の男] Contact Location 3-SoHo CAPT. CROSS I thought it was a time we talked. そろそろ話すべきだと思ってな。 CAPT. CROSS You don t want to do that. おい、そんなことするなよ。 ALEX I ve done your job for you. I ve broken the back of the infection. お前のために動いてたってのか。感染源を破壊して。 CAPT. CROSS In a few hours, this whole place will be glass. あと数時間で、この島は一掃される。 ALEX Even Randall s not crazy enough to nuke Manhattan. まさか。いくらRandallでもマンハッタンを核攻撃したりはしないだろ。 CAPT. CROSS You re wrong. He was at Hope in 69. He ll do anything to stop the infection. If you help me stop him, you get your secret. いや、する。彼は69年にHopeにいたんだ。感染を止めるためなら何でもするさ。お前が俺を手伝ってくれれば知りたがってた秘密にも届くはずだ。 ALEX There s no way to get to that ship without being blown out of the sky. 迎撃されずに空母に乗り込む方法なんて無いぜ？ CAPT. CROSS I have a way. Randall wants a Colonel named Taggart. He s sent me to find him. He s our key on to the Reagan. RandallはTaggart大佐を探してる。そのために俺がここにいるわけだが、彼が空母Reaganへのカギになる。 CAPT. CROSS Taggart s massing a large force of Helicopters at these locations. Taggartはここに大規模なヘリ部隊を組織している。 CAPT. CROSS If we don t move now, he ll muscle his way out of Manhattan in a fleet of Helicopters. And Randall might not be able to stop him. 俺たちが今動かなければ、あいつはヘリを使って無理やりにでもマンハッタンから出ようとするだろう。そうなったらRandallでは止められないかもしれない。 CAPT. CROSS Mercer, take out the Helicopters. I ll try and pin down Taggart s location. And don t let any of them get out of the city. Taggart could be on any one of them. Mercer、ヘリを落とせ。俺はTaggartの居所を探る。ヘリは全部落とせよ、Taggartがどれに乗るかはわからんのだからな。 ALEX Why does it seem like I m getting the short end of this deal? おいおい、俺が損な役回りの気がするぞ。 ミッション中 ALEX Taggart access the Helicopters for getting out anytime at once. I can fix that. Taggartはいつでもすぐにヘリで脱出できる。俺が絞り込んでやるよ。 （字幕表示されず） ALEX Taggart s aircraft is somewhere near here. この辺にTaggartのヘリ部隊がいるはずだ。 （字幕表示されず） BLACKWATCH COMMANDER ZEUS has benn sighted! Clear the landing areas! ZEUSを発見！着陸地点をあけろ！ ALEX Nothing left. 全滅だな。 ALEX Everyone else to die 全員死んでもらうぜ。 （字幕表示されず） BLACKWATCH HEADQUARTERS Urgent! Spin those choppers up, clear the ground, clear clear! 緊急連絡！全ヘリを飛ばせ、地上に残すな！ MARINE TRANSPORT PILOT This is Ghost Three Three Eight Four, we are go! こちらGhost3384、離陸する！ MARINE TRANSPORT PILOT We re clear of the ground, entering high altitude orbit. 離陸した、高高度まで昇る。 ALEX No aircraft, no personal, no survivers. ヘリ、兵士、生き残り、すべてゼロっと。 （字幕表示されず） BLACKWATCH COMMANDER Flight Leader, get those Birds in the air. NOW! フライト・リーダー、全機飛ばせ、早く！ BLACKWATCH HEADQUARTERS He s here! Get our wings off the ground! Clear, clear! ここにいるぞ！はやく飛べ、飛べ！ BLACKWATCH HEADQUARTERS Priority order, scramble all crews, we need to get these Birds in the air. NOW! 最優先事項、スクランブル発進せよ、全機離陸だ、急げ！ ミッションクリア ALEX damn you taggart. damn it for make me do this. Taggartのクソ野郎が、手間かけさせやがって。 （字幕表示されず）
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Album The Outlaw アーティスト：Prince Buster レーベル：Blue Beat 形態：LP 発売：1969年 商品番号：BBLP822 http //www.geocities.com/sunsetstrip/disco/6032/OUTLAW.jpg 特徴・コメント 本作収録のAl Capone? やPhoenix Cityは、ロックステディバージョンである。 曲目 Gun The Man Down? The Baddest? Cincinnati Kid? The Sermon Of A Preacher Man? Al Capone? Any More? Happy Reggae? Hold Them? Outlaw? Burke s Law? Fever? Phoenix City
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Code Geass 23. At Least with Sorrow I, Euphemia li Britannia, bid all of you within the sound of my voice to heed the following command Seek out any Japanese you can find, and please kill them! Leave not a single one of them alive! STAGE 23 AT LEAST WITH SORROW Euphemia has betrayed us here! All units, descend upon the stadium! Grind the Britannians to dust! Damn you, Euphemia! You deceived us! DAMN ELEVENS! Now I see. You were planning this all along! The Black Knights! Crush the Britannians! Euphy! Euphy, where are you?! Get away from me! I don t have time to waste on you! Oh my! This is turning into a mess. How dare you... trampling over the hopes of our people! Euphemia! Stop it! Are you Japanese? You dare raise a hand against Euphemia li Britannia? Huh? Ah-ha, so there you are... you ridiculous royal puppet. Oh, you were on that island, weren t you? Yeah! Now suffer the hand of vengeance and-- Wait! I ll deal with her. You defiant Japanese! Now what, Zero? Do we take her prisoner? There s no point. Leave her. I have to kill them all! These Japanese people -- they have to die! It jammed up... I have to... hurry! I think it goes in here. Oh, I thought you were one of them. So, I was thinking, we could run the Specially Administrated Zone of Japan together. Oh, wait... Japan? Yes. I would ve like that. You and I together... Euphy... Lelouch... why? Farewell, Euphy. You may have been the first girl I ever loved. NOOOOOOO! Suzaku! Why now, of all times?! I m no match for that Hadron Cannon! I will never allow you to kill Lelouch! Suzaku! GET OUT OF MY WAY!!! Arrg, damn it! Please! You have to save Euphy! Do something! You mustn t let her die! You still haven t made contact with Darlton?! No, Your Highness. There was a report he d been injured, but nothing beyond that. Viceroy, emergency message from the Avalon. From the Avalon? Yes. The Special Zone at Fuji has fallen to the Black Knights. What was that?! They re moving to intercept our forces. Also... Princess Euphemia... "Equality?!" You can shove that straight up your administrated ass! You lured us into a death trap! You just made the biggest mistake in your lives! You got that?! That s right! Don t screw with the Japanese! Lucked out, didn t we? I can t believe they left all these footage and equipment behind. Yes. Once we re done editing, we can throw it on the Net for the entire world to see. It s pretty clear which side justice is on. How curious. You don t feel any loyalty toward Britannia, do you? Loyalty? Mmm-hmm. Britannia s glory has ripened on the vine; my talents are wasted serving them. You re more of an honest man than I thought you were. And what will you do now? Hard to say. The only reason I came here was to gather data. But I d feel bad abandoning you all, and I find Zero so... amusing. How wonderful to finally meet you! This girl -- she s a relative of Suzaku s. Zero, are you prepared to walk beside us in what s to come? The opposite! From this point on, the Six Houses of Kyoto will be under my control! I won t hear any objections! All other paths of survival for you... have now vanished! We should inform Viceroy Cornelia. Don t worry, I ll be taking care of that. Will she last until we reach the bureau? I m afraid not. I ll contact Prince Schneizel then. Excuse me. Suzaku... Euphy! Euphy... I have to know -- why did you issue that order at the stadium? Order...? What are you talking about? Never mind that... Suzaku... you re Japanese, aren t you? Yeah? Euphy! No! I mustn t-- I--I can t even think such a thing! No, please...! Suzaku? Yes, Euphy? The ceremony... did it go all right? Is Japan okay...? Euphy... don t you remember? People of Japan and all who are oppressed by the empire of Britannia! Long have I waited, all through the struggles against Britannia s injustices, I ve waited for them to come to their senses! But that hope was betrayed, by an act of barbarism that can only be called a genocide! How about everyone that was there? Are the Japanese happy? Never forgive Euphemia! She s a murderer! She s a filthy witch! Liar! Euphemia is the symbol of Britannia s hypocrisy -- a murderer cloaked in the flag of a nation! How was the ceremony...? Do you think I did... okay? I hope that bitch burns in hell! We re finished with your lie! Death to them all! Euphy... the Special Zone is... a great success! The Japanese people were given back their home... and you did it! Oh, thank God... I hereby declare our independence from Britannia! But don t take this to mean the resurrection of your fallen nation! We will not turn back the hands of time! The new Japan we go on to build shall be one broad enough to accept all peoples, histories, and ideologies where the strong shall not reign over the weak! And it shall be called... THE UNITED STATES OF JAPAN! He s done it! This is the birth of a nation! How strange... I can t see... your face anymore... Keep going... to school... I had to stop... before I-- before I had the chance to finish... Euphy, you can still go yourself! I know! Why don t we go to Ashford Academy together? The student council is so much fun! Euphy...! You have to do it... for me... kay? Please, Euphy! No, don t go! Suzaku... I m so happy... that we... Zero! Zero! Zero! Zero! Dear God... Area Fukushima, Byakko Squad, en route to lbaraki. Area Tama, continuing with barricade construction. Area Hamamatsu-- You plan to assault the Tokyo Settlement? Yes. This is the best chance we ll get. Don t worry about it -- your Geass has no effect on me. You know that, don t you? That s true, isn t it? Hmph, with my Geass out of control now, I can never see anyone. Yes, Nunnally? Hi Lelouch. I was wondering, um... do you suppose I could talk to Euphy again? I was thinking that the three of us could go to the school festival together. You see, Milly said they were organizing another one since everything got all messed up the other day. So I was hoping that we could go to the new one together too. Oh, I m sorry... I know you don t want us meeting ever again. But I thought maybe, if there was some way you and I could maybe see her just one last time... Nunnally, haven t you heard the news? Oh, well, the radio cut off mid-broadcast earlier. Why do you ask? Did something happen? Of course not. Everything is just fine. Sorry. I ll be home by tomorrow. We ll discuss it when I m back. Right. All right, so you can t switch off your Geass -- are there any changes you ve noticed? Not really. It s just... Euphy... she tried to resist the Geass... and my orders... I was wondering if my power had weakened... but I think... I think such a malignant command was simply against her nature. And so? I guess that s all. It was something... We have our contract. I promised to stay with you... to the very end. We weren t fast enough! We may have managed to keep the news off the Net, but there s insurrections all over the map! That s correct! The Black Knights are the largest of the insurgent groups. They are now absorbing all of the masses and advancing on the Tokyo Settlement! All our units are in play right now. We re completely on our own! Yes, and with so many honorary Britannians turning on us, our enemies number in the tens of thousands! Lord Guilford! Forget it! We cannot move without Her Highness word! But sir! The viceroy s been shut up in Princess Euphemia s room ever since she canceled the attack orders! And we still can t confirm Gen. Darlton s whereabouts. Everyone in Toyama Squad is at your disposal. Roger that. Any weaponry? Some explosives from Gokayama. But we don t have enough vehicles. Can any of us ride with you? The best we can offer are freight trains. That okay? Looks like the groups from Yamanashi joined up with us. Yeah, and the remnants of the Blood of the Samurai faction too. Our numbers are growing by the minute! I hope everyone in the student council can get away. On the contrary, for the first time in a while I m glad. Yes... I forgot the art of kindness ages ago, Marianne. I hope you re all right, Kaname. You re working in Shizuoka now, right? Yeah, I m fine over here. Look, Chigusa, we need to talk about something important when I get back. Hm? What s wrong? Well, that s the first time you ve called me by that name. Oh, you re right. Does it sound weird? Not a bit! Anyway, I ll be here. There she is -- that Brit woman! Watch us from your window, huh?! Admit it -- you re some sort of spy! As the insurgents draw closer, security in the ghettos continues to worsen. The government is asking all citizens to stay in their homes until further notice. Do you think the fighting will come our way as well? O--of course not! Princess Cornelia has her regular forces stationed here. There s no way! I hope so... Geez, back up, will you? You re scaring me. Nunnally, what about Lelouch? Is he back here yet? Lelouch? Is something the matter? No, not really... Man, I wish you d go back to calling him Lulu. It s time you two made up. Lulu? What, you mean I called him that? Oh, there you go again. Lulu... Nina, they want us upstairs in school! The insurgents are headed toward Tokyo! Right. And Zero s coming, isn t he? Please... wait for me, Princess Euphemia. I ll avenge you, I swear! Euphy... I just don t understand. Why did you give that order? Shall I tell you? Huh? A child? How did you get on board? How do you do, Suzaku Kururugi. You may call me V.V. V.V.? They ve broken the Atsugi line as well! Maybe the homeland can help us! They ll never make it in time. Then we should evacuate this area right away! Don t panic! Huh?! P--Princess Cornelia! I ve put the Glaston Knights on standby. Place all our forces on the outskirts of Tokyo! We can end this! We just need to take down Zero! Kill Cornelia, and the day will be ours! You all have your orders! Now be ready! Diethard, have Tohdoh handle the front line. I m leaving you in charge here. Yes, very well, Zero. You re Sumeragi s... Thank goodness I made it in time! That was so mean of you, the way you headed off to the battle without me! I ve been a huge fan of yours ever since your big debut! I was hoping that I d finally get to talk to you. Wow, you re really tall, aren t you? Don t worry though, I ll catch up with you pretty soon! L--Lady Kaguya, I thought the heads of the Six Houses remained in Fuji. I followed after you! So I can watch my future husband fight. Don t joke around. Well, once you win this battle, you ll eventually need a wife, won t you? I mean, I know your identity is a big secret and all, but you re gonna need somebody as your public face, right? Really? You believe we re going to win this battle? Of course! I am the goddess of victory after all. I d be lucky to have you then. Unfortunately, I ve already made a contract with the devil. Huh? I have no room in my life for deities right now. Hurry! We have to get this experimental subject back to the homeland! The pressure! The internal pressure is rising! Now, of all times...! Good morning to you it was. Hear me, Britannia! This is Zero! A rebel against oppressors who abuse their power! We will wait until midnight. You have until then to surrender to me. This is your only warning -- heed it. Twelve midnight, not a single second later. Gen. Darlton, you re in no condition to do this! I don t care! I have to be... at Her Highness side...! Your little bluff is meaningless, Zero. The Tokyo Settlement is an impenetrable fortress. You can still turn back, you know. Your actions here will affect more than just Area 11. You -- and this entire world -- will be steeped in war. I m aware of that, and yet all the same. Euphy? How could that be possible? No... it must be an impostor. Lelouch, it s me. Suzaku... why are you calling me now? Lelouch... are you at the school? No, but I will be soon. I see. I called because there s something I want you to tell everyone for me. Yes, and what would that be? The sky -- make sure no one looks up the sky. What? Lelouch... is there anyone you could ever hate so much that you d actually want to kill them? There is. Yes. I used to feel that sort of thinking was unacceptable -- that unless you followed the rules, killing someone was just murder. But now... it s hatred that s guiding me. I m fighting to kill someone. I m going to become a murderer in the skies of Tokyo, so please... Embrace your hate. Just think of Euphy. I made my own mind up long ago -- I ve no intention of turning back. For Nunnally, you mean. Yes. I have to go now. Thank you, Lelouch. Forget about it. I mean, you and I are friends after all. For the last seven years. Right. See you then. Yeah, later. What the hell?! These hands of mine have been dirty for a long time now, Suzaku. Your coming to face me now doesn t matter at all -- hell, I welcome it even. I mean, of course, you and I are friends... Perhaps this is what I ve longed for ever since that day the destruction and loss of everything. That s right -- destruction always comes before creation, and for that goal, even my own conscience must be cast aside. The only path left to me is straight ahead. Now then... That s right -- only by pushing forward will I find atonement. Even if my enemy is the greatest empire on the planet, there s no turning back for me now! Everything is in place. The time has come to overthrow the old world order!
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{Tom} You better stop dreaming of the quiet life Coz its the one we ll never know And quiet running for that runaway bus Coz those rosey days are few And stop apologising for the things you ve never done Coz time is short and life is cruel Well its up to us to change This town called malice Ooooh yeeah {Danny} Rows and rows of disused milk floats Stand dying in the dairy yard And hundred lonely housewives clutch empty milk bottles to their hearts {Toqether} Hanging out their old love letters on the line to dry Its enough to make you stop believing when tears come fast and furious In a town called malice Ooooh yeeah Ba ba ba ba ba da ba Ba ba ba da ba ohh Ba ba ba ba ba da ba Ba ba ba da ba Struggle after struggle year after year The atmospheres a fine blend of ice Im almost stone cold dead In a town called malice Ooooh yeeah {Danny} A whole streets belief in sundays roast beef Gets dashed against the co-op To either cut down on beer or the kids new gear Its a big decision in a town called maliiice Oooh yeeah {Tom} The ghost of a steam train echoes down my track Its at the moment bound for nowhere Just going round and round Playground kids and creaking swings Lost laughter in the breeze I could go on for hours and I probably will But Id sooner put some joy back In this town called malice yeeah Ooh yeeeah This town called malice yeeah Ohh yeeeah This town called malice yeeah
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lala /// / おやまぁ \ sid→ala \ [ xivi ] \ おやまぁ、あら、なんてことだ、なんてこった、なんだ。感嘆を示す。悪い意味と共に使う \
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Martin Campbell-Kelly # Campbell-Kelly, Martin, et al. (2004). Computer A History of the Information Machine. Boulder Westview Press. ISBN 0813342643 # Campbell-Kelly, Martin (2005). "The User-friendly Typewriter". The Rutherford Journal (Canterbury University of Canterbury) 1 The User-friendly Typewriter Martin Campbell-Kelly 2006年1月9日 20 00 00 The Rutherford Journal - The New Zealand Journal for the History and Philosophy of Science and Technology http //www.rutherfordjournal.org/article010105.html 1.コンピューターの起源 (特集 「起源」に迫る) Campbell-Kelly,Martin 日経サイエンス 39(12) 48〜56 2009/12 0917009X 2.Real Time Reaping the Whirlwind CAMPBELL-KELLY, Martin Computer A History of the Information Machine 165-176 1996 1. コンピューター200年史 / M.キャンベルーケリー,W.アスプレイ[他]. -- 海文堂出版, 1999.10 2. ザ・コンピュータ・エイジ / M.キャンベルーケリー[他]. -- 共立出版, 1979.8 Computer a history of the information machine （27） Martin Campbell-Kelly and William Aspray -- 1st ed. -- BasicBooks, c1996, ix, 342 p., [16] p. of plates. The User-friendly Typewriter Martin Campbell-Kelly http //www.rutherfordjournal.org/article010105.html The User-friendly Typewriter 36 The Remington typewriter was the first machine to combine acceptable print quality with acceptable speed. The machine was invented by Christopher Latham Sholes, a retired printer in Milwaukee, Wisconsin, who was inspired by an article on writing machines he read in the Scientific American in 1867. 7 Sholes took out b patent /b s on his invention, and in exchange for a quarter share of these he obtained what we would now call angel funding from James Densmore, a prosperous retired printer. It is said that Sholes produced dozens of prototypes before achieving a satisfactory design. Densmore did not have sufficient funds to manufacture the machines, however, so he negotiated with Philo Remington, an Ilion, New York, manufacturer of small arms, to make them. Remington accepted the offer because his business was in the doldrums following the end of the Civil War and he had already diversified into peacetime manufactures, including sewing machines. More development work followed and the Remington No. 1 was introduced in 1874?its visual design owing not a little to the sewing machine (Fig. 2).8 The User-friendly Typewriter 40 Most of these improvements were registered in the 2600 typewriter patents that had been issued by 1905.9 Unfortunately there is no history of typewriter patents, so we do not know in detail how patent pools operated. However, a great deal of patent sharing between manufacturers clearly took place, which is why all typewriters came to look and feel pretty much the same. Most patents protected features that directly or indirectly affected usability. Many innovations may have appeared to be mere tweaks?such as the bell that warned the operator that the end of line was approaching?but their impact on usability could be profound. It was the accretion of scores of tiny improvements that made the typewriter so superbly suited to its task. It is not possible in this paper to describe all of the usability innovations. Instead I will focus on a handful of major issues The User-friendly Typewriter 50 The original Remington No. 1 was known as an “up strike” model, because the type bars struck the underside of the carriage. This meant that the line being typed was out of sight of the user, and in fact did not emerge until a further four lines had been typed. This would have made insuperable demands on the operator’s memory, and it was therefore possible to lift the carriage so that the operator could peek at the work in progress. It is not known whether Sholes was conscious of the visibility problem when he designed the up-strike mechanism. It seems likely that he just opted for the mechanically simplest solution. At all events, this design deficiency left the door open for dozens of non-patent-infringing improvements (most of which vanished into obscurity). The User-friendly Typewriter 52 For an operator seated at a desk, the optimal printing position was a front strike mechanism, so that the printed line directly faced the operator. The first machine on the market with a front-strike mechanism was the Columbia Bar-Lock, patented in 1889-91.10 The first commercial models enabled the operator to peer above the type bars to see the work in progress, but the line of sight was obscured if the operator sat too far back in his or her chair. Nonetheless, for several years the Columbia Bar-Lock “stood alone in the visible writing field.”11 A wholly satisfactory front strike mechanism that did not interfere with the line of sight was extremely difficult to achieve, and would not be realised until the Underwood No. 1 came into production in 1897. In the interim, a number of down-strike models, which printed on top of the carriage, were produced. The User-friendly Typewriter 56 A much more successful down-strike mechanism was designed by the Reverend Thomas Oliver, who applied for a patent in 1892 and founded the Oliver Typewriter Company of Chicago in 1894.13 In this very distinctive machine the inverted-U shaped type bars were stacked either side of the printing point (Fig. 4). This left the full page clearly visible, a marked improvement over previous designs. The Oliver machine was particularly robust and was bought in large numbers by the military, although it did have the disadvantage of a rather restricted character set. (It was difficult to stack many more than a dozen type-bars on top of one another. The machine had a three-row keyboard instead of the usual four rows. The basic design remained in production with very little major modification until the 1940s.14 The User-friendly Typewriter 58 Nonetheless the front-strike mechanism remained the best ergonomic design for a seated operator. A successful design was finally produced, some 15 years after the first front-strike models appeared, by the inventor Francis X. Wagner. It was the most important typewriter patent of all time.15 The patent was assigned to a New York typewriter-supplies manufacturer John Underwood, and the Underwood Typewriter Company was established for its manufacture in 1895. With the Underwood No. 1 (Fig. 5) the typewriter took its modern form, establishing the dominant typewriter design until the advent of the IBM golf ball typewriter after the Second World War. In the Wagner design, the type basket was set low, out of the line of sight, and the ribbon did not obscure the current line. When a key was depressed, the ribbon rose and interposed between the type bar and the paper; both then instantly retracted to their original position to reveal the full line of print. It was an extraordinarily elegant mechanism. The Underwood No. 1 went on the market in 1897 and was rapidly further perfected. The User-friendly Typewriter 74 The most important way of reducing noise was to eliminate the percussive action of the type bars on the platen. In 1894 an inventor, Wellington Kidder, applied for a patent for a printing action that pushed the type bar onto the platen rather than striking it.19 Kidder and his partner C.C. Colby formed a development company and “expended about $500,000 in developing the Noiseless typewriter, during the years 1904-1909.”20 The Noiseless Typewriter Company was established and a machine was placed on the market in 1910; besides the non-percussive printing action it was fully enclosed and surmounted by an acoustic cowl, characteristic of all subsequent noiseless typewriters. The machine was not a commercial success, probably because the typing mechanism was rather sluggish. Several improved machines were placed on the market, but it was only with the model 4 in 1917 that definite technical and commercial success was realised. The User-friendly Typewriter 76 Given the long, costly, patented development of the noiseless typewriter, competitors could only respond with hoods and baffles. Underwood produced a soundproof cabinet in 1922, as did Continental, Ideal, and Olympia.21 In 1923 Remington introduced a quiet version of its model 12, marketed as the Q12, which reduced noise by means of a completely enclosed frame.22 The User-friendly Typewriter 78 In 1924 Remington acquired the Noiseless Typewriter Company (one of a series of mergers that resulted in the formation of the Remington Rand conglomerate in 1927).23 Remington sold the machine as the Remington Noiseless, and gradually refined the technology by incorporating innovations from its mainstream products. Underwood made a patent deal with Remington to acquire the noiseless technology, and then introduced a noiseless version of its standard machine in 1930. Underwood advertised the machine extensively, promoting its “cushioned typing” with the slogan “Quiet as a Mouse?in a Barrel of Flour” (Fig. 6). The User-friendly Typewriter 90 The origins of the QWERTY keyboard are well known, although accounts differ slightly in their detail. Prior to Sholes patenting his typewriter in 1873, there had been many commercially unsuccessful typewriters, and these used two main types of keyboard. One type, exemplified by Samuel Francis’ “Literary Piano,” used a piano-style keyboard.29 In this machine, 26 white keys were provided for the letters, and the black keys supplied the punctuation and other characters. In the other type, exemplified by Beach’s Type-Writing Machine of 1856, the keys were arranged in three rows.30 In both machines the keys were arranged alphabetically. The User-friendly Typewriter 106 With the rise of time-and-motion studies around the turn of the new century, there was increasing interest in both keyboard layout on scientific principles and on efficient operation (see next section). For example, the Perry typewriter (1896)39 included extra keys for common words and syllables (such as as, is, and and). A keyboard design by Rowell (1909)40?one of the first patents for a keyboard rather than a complete typewriter?placed the most used letters at the centre of the keyboard (this was really a variant on the Ideal arrangement). It is not known whether these inventions found their way into products, but probably not and certainly not on any scale. Considerably later, a keyboard design by Hoke (1923)41 used a layout optimised for the 1000 most common words determined by the educationist Leonard P. Ayres.42 The User-friendly Typewriter 108 On the whole, the few novel keyboards in the patent literature (and perhaps a few more that were not patented) are not very convincing proof of network effects and user lock-in. More likely, the keyboard designs lacked any systematic testing or real scientific evidence of major benefits that might have convinced manufacturers or users to switch. The one real exception is the Dvorak keyboard, which was in a class of its own in terms of scientific justification and user testing. The User-friendly Typewriter 110 Augustus Dvorak was a professor of experimental psychology at the University of Washington, and a disciple of the time-and-motion expert Frank Gilbreth.43 Gilbreth had made studies of touch typing using the Universal keyboard, but he had not addressed the issue of keyboard layout. This Dvorak did, filing a patent in 1932 (Fig. 8) and publishing a book Typing Behaviour in 1936.44 The User-friendly Typewriter 192 8 C.L. Sholes, “Type-Writing Machine,” U.S. patent 207,559, Aug. 27, 1878. The User-friendly Typewriter 200 12 John N. Williams, “Type-Writer,” U.S. patent 442,697, Dec. 16, 1890. Williams’s first patent was issued in 1875, but he had financial difficulties establishing his business. The User-friendly Typewriter 202 13 Thomas Oliver, “Type Writing Machine,” U.S. patent 528,484,337, Oct. 30, 1894. The User-friendly Typewriter 206 15 H. L. and F. X. Wagner, “Type writing machine,” U.S. patent 559,345, Apr. 28, 1896. The User-friendly Typewriter 214 19 Wellington P. Kidder, “Key-Action for Type-Writing Machines,” U.S. patent 567,241, Sept. 6, 1896. The User-friendly Typewriter 234 29 Samuel Francis, “Writing Machine,” U.S. patent 18,504, Oct. 27, 1857. The User-friendly Typewriter 236 30 A. E. Beech, “Printing Instrument,” U.S. patent 15,164, June 24, 1856. The User-friendly Typewriter 240 32 James B. Hammond, “Type-Writing Machine,” U.S. patent 224,183, Feb. 3, 1881. Lucien S. Crandall, “Type-Writing Machine,” U.S. patent 251,338, Dec. 20, 1881. Eugene Fitch, “Type-Writing Machine,” U.S. patent 345,836, July 20, 1886. The User-friendly Typewriter 242 33 William H. Robertson, “Type-Writing Machine,” U.S. patent 439,689, Nov. 4, 1890. The machine was probably never put on the market. The User-friendly Typewriter 244 34 O. Mergenthaler, “Machine for Producing Printing Bars,” U.S. patent 317,828, May 12, 1885. The User-friendly Typewriter 246 35 George C. Blickensderfer, “Type Writing Machine,” U.S. patent 472,692, Apr. 12, 1892. The User-friendly Typewriter 254 39 Horace G. Perry, “Type-Writing Machine,” U.S. patent 552,774, Jan. 7, 1896. The User-friendly Typewriter 256 40 Sidney W. Rowell, “Type-Writer Keyboard,” U.S. patent 943,466, Dec. 14, 1909. The User-friendly Typewriter 258 41 Roy E. Hoke, “Typewriter-Keyborad Arrangement,” U.S. patent 1,506,426, Aug. 26, 1924. The User-friendly Typewriter 264 44 August Dvorak and William Dealey, “Typewriter Keyboard,” U.S. patent 2,040,248, May 12, 1936. link_trackbackcounter -
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Under Construction Move the Piano To move the piano, Please move the main body and touch it. And all other parts will follow the main body. Use optional sub parts Touch knob to display the main menu. choose "Rez_parts" If you want to use a shade(insulator), please choose "shade(insulator)". shade insulator For example, also when you want to exchange System C for A, please use the "Rez_parts" menu. now using System C. Rez_parts System System A System C expires. System A rezzed.
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【登録タグ Cigarette lagoon GUMI H IA 曲】 作詞：チル（Cigarette lagoon） 作曲：たま（Cigarette lagoon） 編曲：Cigarette lagoon 唄：GUMI・IA 曲紹介 たまとチルの音楽ユニット「Cigarette lagoon」の楽曲。 『HOLLYWOOD』20世紀始め、巨大な映画管理組合に反発した製作者たちが逃げ延びたことに端を発する映画の聖地。弱者の楽園。 歌詞 HOLLYWOOD Everybody, clap your hands Clap your hands over the head Without quarterbacks, cheerleaders, who's pumpkin heads NaNaNa NaNaNaNa 歌え say Wow Wow Wow Everybody, clap your hands 笑い出せ 手を叩けみんな 居場所を叫ぶように 傷だらけFinger ついに見つけたJoint 隠さないでいいんだ I already know you, sorry だけど No Ginger ここじゃみんな同じだ Wow 僕らはみんなそうさ Wow 無害なフリして Wow 牙をへし折ってた だけどもういいんだ Everybody, show your fang Show your fang in laughing mouth Get on and get out Why so serious? HAHAHA! NaNaNa NaNaNaNa 歌え say Wow Wow Wow Everybody, clap your hands 飛び跳ねろ！ Tell me baby, what’s your race They say you’re a basket case Hey babe, what’s your name You cannot be tamed, right? Inspiration, affliction, revolution, come like infection The important is just a reception It is all 僕らはみんなそうさ 無害なフリして 牙をへし折ってた だけどもういいんだ Hey mister Geek and nerd Welcome to our "HOLLYWOOD" "Where is The King Of Cool"? Everybody is it, so we are NaNaNa NaNaNaNa 歌え say Wow Wow Wow Everybody, clap your hands 走り出せ！ We are the one who lose to my own big dream Now is the time to fight for my own story Everybody, make some noise Make some noise reaching a hell HeeHaw RaDaDa Ring Zing Ring Zing Booyah Everybody, raise your fist So higher and higher Everybody, ready to roll Yeah yeah Get up meet up, Guys Tonight is kickoff party night No one can take away The ode to joy from your heart NaNaNa NaNaNaNa 歌え say Wow Wow Wow Everybody, clap your hands 笑い出せ コメント 仕事はやいねぇ！！ありがとう！ -- 名無しさん (2018-01-04 22 17 06) 名前 コメント
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Spirit Blast/スピリット･ブラスト カードタイプ：Village/村 エキスパンション：Doomgate Legion/宿命の軍団 英語版 Card Name Number Class Cost Gold Weight Light VP Text SPIRIT BLAST 8 SPELL 7 One Hero gains +MAGIC ATTACK equal to the number of XP(Maximum 6) you currently possess. 日本語版 カード名 枚数 分類 コスト 金貨値 重量 明かり 勝利点 テキスト スピリット･ブラスト 8 呪文 7 英雄1枚は、「魔法攻撃+あなたが現在持っている経験点(最大+6)」を得る。 カード解説/CARD GLOSSARY カード分析 所感 非常に強力な力を秘めた英雄強化呪文。 XPをわざと余らせる必要があるため、このカードを中心にデッキ構築・戦術ともに変えていく必要がある。専用デッキが組めるカードというのはそれだけで価値がある。 効果が最大限に発揮される6XPというのはレベル3の英雄を一枚作れる値である。 あくまで強化呪文のため、なんらかの英雄が必要。とはいえ別に民兵でも構わない。経験点をレベルアップに使用しにくいことから、レベル1が多機能な英雄がよりよいか。 上限が6なのでそれより余った経験点は普通に使用してかまわない。経験点は4～5あれば十分なことも多いので、状況を見て消費していこう。 最低でも2点、普通は3点の経験点がないと、役に立たない。その経験点をどこから調達するかが、最大のテーマ。先にレベル1英雄を買って経験点を稼いでからこれを買っていくのがよいか。壁さえ超えればあとはガンガン攻撃力が上がっていく。 専用デッキにするからには、ある程度枚数がほしいが、微妙にコスト高。 問題は多いが、軌道に乗った後の爽快感はかなりのもの。一枚から6点火力が出るのは大きい。 余った経験点の利用先として終盤に1～2枚買うのも別に悪くはない。 シナジー Bluefire/ブルーファイア、Grognard/老兵等：序盤に経験値を得る手段が欲しいため。もちろんTrainer/道場主がいるならそれで良いが、それは単に道場主が強いだけである。 Drill Sergeant/鬼教官：経験点が溜まっていれば、ダンジョンではこのカードが、村ではDrill Sergeantが猛威を振るう。 アンチシナジー 得意なモンスター 苦手なモンスター